Alex Wang is an artist, playwright, and journalist whose work has been exhibited and collected in the United States, France, and China. He and Penny Wang founded Fantacism Abstract Art Theory.
His notable works include a 2 × 1 meter Fantacism abstract painting on rice paper titled Non-Erasable Tears (also known as Massacre), first exhibited at the 2015 Nanjing International Art Exhibition. In the same year, his Fantacism abstract series Peace was printed on postcards known as the “National Business Card” and issued by the State Post Bureau of China.
In 2016, Wang designed the official poster, The Angel Awards, for the Monaco International Film Festival and served as a festival ambassador in Monaco, France. The following year, he conducted a workshop in the United States demonstrating his Fantacism Abstract Art theory, illustrating the transition from realism to abstraction.
In 2018, he exhibited ten Fantacism abstract paintings at the University of Northern Iowa. In 2019, he applied his Fantacism theory to reinterpret historical American retinal drawings in an exhibition titled The Lost Art of the Art.
More recently, Wang has been developing his High Dimensional Art theory.
His notable works include a 2 × 1 meter Fantacism abstract painting on rice paper titled Non-Erasable Tears (also known as Massacre), first exhibited at the 2015 Nanjing International Art Exhibition. In the same year, his Fantacism abstract series Peace was printed on postcards known as the “National Business Card” and issued by the State Post Bureau of China.
In 2016, Wang designed the official poster, The Angel Awards, for the Monaco International Film Festival and served as a festival ambassador in Monaco, France. The following year, he conducted a workshop in the United States demonstrating his Fantacism Abstract Art theory, illustrating the transition from realism to abstraction.
In 2018, he exhibited ten Fantacism abstract paintings at the University of Northern Iowa. In 2019, he applied his Fantacism theory to reinterpret historical American retinal drawings in an exhibition titled The Lost Art of the Art.
More recently, Wang has been developing his High Dimensional Art theory.