Penny C. Wang is an artist and professor at the University of Northern Iowa. With more than 30 years of experience, she has worked extensively in gouache, watercolor, acrylic, oil, digital painting, and digital design. Her artistic practice spans both Western and Asian painting traditions, and she collaborated with Alex Wang in developing the Fantacism Abstract Aesthetics theory.
Among her notable works are Vision, first exhibited at the opening of the Dean’s Gallery at Washington State University, and the graphic poetry piece No-Mouth Men’s Rebirth, presented at the North American Review Bicentennial Conference. She also designed the conference bag for the 2013 Chinese Language Teachers Association conference and sponsored a banquet for 400 educators at the Hilton Washington DC National Mall The Wharf.
Her silk artwork is currently displayed at the Hoypoloi Art Gallery. In addition to commissioned works for businesses, she donated a painting of the Halifax County Courthouse for its ribbon-cutting ceremony.
Wang has presented at numerous international conferences in Washington, Boston, Chicago, Palo Alto, Honolulu, and Beijing. She has also presented Fantacism Art Theory at prestigious institutions including Stanford University and Harvard University.
Among her notable works are Vision, first exhibited at the opening of the Dean’s Gallery at Washington State University, and the graphic poetry piece No-Mouth Men’s Rebirth, presented at the North American Review Bicentennial Conference. She also designed the conference bag for the 2013 Chinese Language Teachers Association conference and sponsored a banquet for 400 educators at the Hilton Washington DC National Mall The Wharf.
Her silk artwork is currently displayed at the Hoypoloi Art Gallery. In addition to commissioned works for businesses, she donated a painting of the Halifax County Courthouse for its ribbon-cutting ceremony.
Wang has presented at numerous international conferences in Washington, Boston, Chicago, Palo Alto, Honolulu, and Beijing. She has also presented Fantacism Art Theory at prestigious institutions including Stanford University and Harvard University.
Alex Wang is an artist, playwright, and journalist whose works have been exhibited and collected in the United States, France, and China. He is the founder of Fantacism Abstract Art and the creator of High Dimensional Art Theory. Among his most notable works is the 2 × 1 meter Fantacism abstract painting on rice paper, Non-Erasable Tears, first exhibited at the 2015 Nanjing International Art Exhibition.
In 2015, his Fantacism abstract series Peace was printed on postcards known as the “National Business Card” and issued by the State Post Bureau of China. He also designed the official poster, The Angel Awards, for the 2016 Monaco International Film Festival and served as the festival’s ambassador in Monaco.
In 2017, Wang conducted workshops in the United States on Fantacism Abstract Art theory, demonstrating the transition from realism to abstraction. In 2018, he exhibited ten Fantacism Abstract paintings at the University of Northern Iowa. In 2019, he applied Fantacism Abstract theory to recreate historical American retinal drawings in the exhibition The Lost Art of the Art. In 2023, his Fantacism abstract artwork won third place at the McCallum Art Museum Juried Art Show. More recently, he has continued developing and presenting his High Dimensional Art Theory.
In 2015, his Fantacism abstract series Peace was printed on postcards known as the “National Business Card” and issued by the State Post Bureau of China. He also designed the official poster, The Angel Awards, for the 2016 Monaco International Film Festival and served as the festival’s ambassador in Monaco.
In 2017, Wang conducted workshops in the United States on Fantacism Abstract Art theory, demonstrating the transition from realism to abstraction. In 2018, he exhibited ten Fantacism Abstract paintings at the University of Northern Iowa. In 2019, he applied Fantacism Abstract theory to recreate historical American retinal drawings in the exhibition The Lost Art of the Art. In 2023, his Fantacism abstract artwork won third place at the McCallum Art Museum Juried Art Show. More recently, he has continued developing and presenting his High Dimensional Art Theory.